Looking out of my window here at Castle Codd, it is plainly obvious in the breezy golden light that Autumn is here. The crunch through the first few crisp leaves has been a feature of our walks to nursery on this first week back. These […]
There’s an account I follow on Instagram, ViktoriaAstrom, where I have seen the most wonderful little illustrations turned into large carved stamps and used to print wonderful and whimsical pieces of art. I always fancied a go at making one, but like many crafts it […]
Though I wrote about my Self Portrait embroidery first, because it was such an important piece of work for me, I actually made another embroidery piece before that one. This embroidery piece was made to mark my fifth wedding anniversary in July.
When I first met my husband I was in a very confused and emotionally turbulent place. I was not looking for anybody and had in mind a time of just being alone and finding myself and growing friendships. I had very few people in my life, but of the few people that I was in contact with, all were very precious to me.
Russell and I had known each other online for years, so as we met as friends and things grew from that friendship, we never really had a first date. Despite there not being a definable first date, I have in mind that the first romantically significant thing that we did together was to take a walk along the beach from Whitley Bay, where Russell lived, to St Mary’s Lighthouse.
The walk was my idea. Russell was not (is not) one for walking for walking’s sake, but still he waded through the sinking, dry sand with me in ridiculous heat. Russell was wearing a heavy jacket. I was wearing a purple pure wool jumper that a friend had given me from a charity donation. The heat grew more and more oppressive as we walked and we were relieved to find an ice cream stand at the lighthouse. We had only just started enjoying our ice cream prizes as the rain started. Heavy from the start, it soon turned into a full blown storm with thunder that sounded like someone was ripping the fabric of the sky and lightning that zipped between the heavens and earth like a cracking whip.
There was nothing that could be done. We’d walked about an hour to get there and wouldn’t be walking back much faster. There was no shelter, so there was nothing we could do but to let ourselves get caught in the rain at the lighthouse.
My jumper got heavy. It was still hot and the rain fell warm. As we walked back my jumper, wet through, began to shrink. The arms grew shorter and the wool grew thicker and less flexible. Over the walk home it shrank around me until it was quite restrictive, but I had nothing underneath to allow me to remove it. In many respects it was an awful first ‘date’, but it was fun, and it was silly, and it felt like so much life to be next to the sea as it raged. We walked smartly under a sky heavy with electricity that it could no longer contain, but despite nature showing her fiercer side I began to feel like I was… cared for. I was scared, but I also felt a safety I had not felt in a very long while, perhaps since childhood.
This embroidery marks all of those feelings for me, and so many of them are still appropriate in my life still today.
The actual making of this piece was very straightforward. I have never really done much embroidery (the craft snack piece and sewing machine cover being the last two pieces that I’ve embroidered), but it’s something I feel I can make a semi-decent attempt at when I want to.
The design started off as a quick sketch I made on the anniversary of our meeting, which I put on my Instagram account.
I made a few changes to the initial sketch (left) when I had the idea to turn the sketch into a piece of embroidery.
Mostly, it was to change the position of the lightning bolt so it could strike the lighthouse, lighting up the sky. This (of course) did not happen, but I really liked it as a visual metaphor for the moment it represented. I also changed the direction of the rain, though I can’t remember why and indeed changed it back to the initial direction when I came to stitch the design, as I preferred the direction being opposed to the diagonal line of the lightning bolt, for visual interest.
The piece is in a large 30cm (12″) hoop. I stitched mostly in stem stitch and back stitch on a piece of pale grey linen using a couple of different shades of grey embroidery floss for the outlines and a bright yellow for the lighthouse light and lightning bolt.
I decided to add a little hint of the light cast by the lighthouse by using a piece of tulle netting in yellow, to compliment the satin stitched bolt of lightning.
The pieces of tulle are attached to the background linen with the tiniest of anchoring stitches. They really are tiny. I can’t even see them when I look very closely, so it looks as though the tulle is just laid on before the rain was embroidered, though in reality it is securely attached all the way around.
The rain was made in lines of long straight stitch, with each stitch and the spacing between being of random length. I used a variegated grey thread for the raindrops, which, along with the changes in the depth of colour of the thread, gives a hint of varying distance for the rainfall. I had some of the raindrops fall in front of the foreground figures but most is shielded, to give a sense of distance.
The finished piece is not very detailed nor technically complex, but I think it is mostly true to my initial sketch (with a few details amended) and it suits my style, as little as I have one. Russell had said of the initial sketch that it would be nice to get it printed and framed. My sketch was not of a high enough resolution to print, but this now sits in a special place on our family wall, with all of our other memories and space for making more.
I have made something important to me that I have spent some time wondering if I should share. I have decided that I should, that I want to, because my most recent project has been all about self-acceptance, and I think a large part of […]
I thought pretty assuredly that I was going to be the first person to complete my Heartgyle Socks. I was on course to finish them in five days, despite the fact that I had changed the cast on and restarted the toes more than once. […]
In the list of words that strike fear into a good number of knitters, intarsia comes not too far after moths. Despite the dread, here we intrepid band of Boost Your Knitting adventurers go, headlong into knitting intarsia in the round [audible gasps ring out, a woman faints].
So far, so easy, as I have only managed to knit the toes of this project. You’ll notice that I am knitting both socks at once, but not in the usual two at a time style. I love the momentum of knitting both socks at once, but I miss my DPNs. I just love how small and uncumbersome they feel as I knit, so this is my compromise.
I cast these socks on yesterday after a delay ordering the right size needles (it doesn’t matter how many needles you own, you never have the right ones for the next project) and set about starting the toe-up socks.
I have made one small change to the way I am knitting these socks and started with a provisional cast on, and knit the toes from there. After completing the toes I undid the cast-on, put the live stitches on the needles and am knitting the sock upwards from that point. I could have knit the toes at the end, but I like the fact that you can see the sock start to form when you have the toes in place, and it stops the fabric from rolling up as you knit.
I changed the way I worked the toe for two reasons. Firstly I didn’t want to juggle long circular needle for Judy’s Magic Cast On, and secondly because I like to make a slightly more rounded toe with accelerating decreases, to match my own short toes!
I really love the idea of intarsia for socks, as it gives the opportunity to add some colourwork without restricting the stretch of the fabric, like stranded knitting can. Plus, look how gorgeous they are.
I’ve got a lot of knitting to do before I get to the new technique, but I’m hoping to get these socks knit fairly quickly, because I’m itching to try the new skill, and by designing them toe-up, Julia Farwell-Clay has ensured that we get most of the knitting done before reaching the tasty bit, which is really good sock motivation.
Boost Your Knitting is a year-long knitting program devised by Arnall-Culliford Knitwear. Join in the intarsia in-the-round knitalong in the Arnall-Culliford Knitwear group on Ravelry.
